Watch a myriad of objects in nature, full of delightful inner fear, it is our reaction to the subli

Photography and the magic of time --51 Zhang precious ...
SUN Li Tian elusive Chronicle

1978-1981, Gursky was educated in Germany, a famous home goods stores art schools all located in Essen Folkwang School of Art (Essener Folkwangschule). This school is the cradle of photographers, Gursky here come into contact with the business world of difference between the photographic documentary photography tradition. Since then, Gursky and the National Academy home goods stores of Fine Arts in Duesseldorf studied for six years. The college is regarded home goods stores as a hotbed of avant-garde art in Germany, Germany's most important home goods stores contemporary avant-garde artist is here several graduates, such as Joseph Beuys (Joseph Beuys), Sigma Byrd (SigmarPolke) and Gerhard home goods stores Richter (Gerhard Richter). Gursky division division in Dusseldorf Photography Department, home goods stores under the tutelage of the "industrial constitute photography pioneer," photography "typology" pioneer - Byrne Becher and Sheila Beixie Fu women.
1984, Gursky shot a Swiss Alps Klausen Pass photos. Much later, when he enlarged the photo, he was surprised home goods stores to find that in perspective the dozen actually tiny figure, but this is not noticed when he had to take pictures of. He realized that these shadows to photos brought a sense of mystery and timeless, since then, he has been pursuing this feeling in photography. In 1987, he was shot in Ratingen, Germany "Ratingen pool" is the manifestation of this style. In this photograph overhead, the crowd and the pool together constitute interesting scenery, the crowd of people is no longer an individual, but the overall pattern constitutes a symbolic and metaphorical home goods stores nature. This style in his subsequent works also appear multiple times.
1990s, Gursky tentacles extend from the natural landscape to commercial landscape. Dusseldorf from his hometown to the world, with the camera demonstrating global home goods stores vision. New York, Los Angeles, Chicago, Cairo, Tokyo, Hong Kong, Singapore, Paris and other international cities have left his footprints. Gursky love to shoot huge industrial and commercial facilities - skyscrapers, hotels, office lobby, stock exchanges, manufacturing plants, apartment buildings, rendering large scenes, high-tech, fast-paced, high consumption and other representatives of the era of globalization spiritual theme. He used the photo itself against a large-size photograph of small and clear human individual. You might be able to understand this topic at the first sight of his great photos, you may long to watch carefully to see those individual expression, location, clothing and posture. Manufacture tension between macro and micro, are running the principles of his work as a constant implies that these people not only have their own sense of self, but also the dream of globalization in a single actor. While the crowd uniform action demonstrated a collective existence, but in the grand context, these nameless individuals just being one of embellishment home goods stores tool, its existence has become less important.
Watch a myriad of objects in nature, full of delightful inner fear, it is our reaction to the sublime. We can also build the structure, especially to see the same effect in the architecture, the "eye can not detect the boundaries of many things, they seem to be unlimited, home goods stores they produce almost home goods stores really kind of effect," Burke will be the is defined as "artificial infinite." A succession of effects resulting from a repeated sequence. For example, in the rotunda, "You will not be fixed a boundary, you turn to any one direction, the same thing occurs continuously, imagination can not stop." Works in Gursky's "Shanghai / Shanghai (2000)" in just is this: yellow building recurring part and cyclic structure makes this building seems infinite home goods stores and self-enclosed, that is no beginning and no end. The building shows its rotation dynamics.
"Dubai World" is a group of islands from a height overlooking, so highly, as God's point of view, Genesis has a divine home goods stores feeling. As the curve of those organs, so as not touch the islands like pure, like a paradise on earth could not exist. Of course, this is indeed some of the artificial islands, are piled by the flood and sediment. If you zoom in, you can see the distribution of the sand dredger. For thousands of years, nature has been transformed by human hands, transformed into farmland, parks and gardens, so the real nature is gone. Gursky's pictures suggested home goods stores that: Although people have enough wealth to buy these artificial islands, but these patterns on Earth artificially constructed, but is a kind of "imagined beautiful" only.
Gursky's masterpiece "Rhine II" looks like a shocking painting, which depends on a bold technical processing Gursky's photographs. "Rhine II" depicts a flowing style Dusseldorf Rhine River. On the screen, the pen straight section of the Rhine river, from grass-covered home goods stores embankment beside the arc carefully constructed flowing through, the sky gloomy dull, photo looks both real and fake, painting scenes from the natural world free out, geometry constitute rules, just as Barnett Newman (Barnett Newman) with images of abstract paintings that. This is a completely outline home goods stores rivers, trails, meadows, river banks, water and gray sky forming a nearly perfect horizontal structure. Through digital means, Gursky accidentally erase all the damage he believes the overall sense of the elements of the picture - the river of dog walkers, cyclists, a seat plant, until the screen "have a sufficient sense of depression."
Jeremy Gilbert - Rolf (Jeremy Gilbert-Rolfe) article described the "Rhine II": "especially because of its status as the machine, photographic media has been seen as hand-painting undeniable questioned the meaning of humanism. "Although Gursky treatment as his camera as the image just to fulfill the duties. Photography is assumed to be a special place in time to capture a particular moment, but Gursky approach arbitrarily changed the location, but also changed the moment. Contrast documentary nature photography and artists to create images, Gursky home goods stores seems more like an artist rather than a photographer. Variable photography is a post-modern tool postmodern world arise.
Gursky often his way of working and painters were compared, one of the reasons, but also, and he uses a large format camera related. While synthetic ways to strengthen such a pictorial effect. So the combination of separate pieces of works the way he works and 贝歇夫 wife posed by the formation of a difference - even though they also use a large format camera. Germany is also Germanic descent, 贝歇夫 women insist on their documentary photography text, but more emphasis on their subjective point of view it - they always between pure photography and subjective personal dilemma. As a latecomer to this genre, including Thomas Ruff and Gursky, it is the plight of such a dilemma push the limit.
Undoubtedly, this is the ultimate adventure home goods stores should be an integral part of the photographer, the entire space to think, perhaps you can let us see the return of an abstract of our lives possible. For example, rely solely on the light form of "Brasilia, gathering room" (1994), and "Paris, PCF" (2003) home goods stores can prove to be a higher level of abstraction. These images mainly focus on technology constitute the ruling grand space. Although there are some minimalist motives such as "Prada" (1997), but can also be seen as a metaphor for worship materialism - we saw the empty display on the famous. home goods stores